Box Office Update

New Box Office Hours

Our box office hours have changed. We will be closed on Mondays. We are open Tuesday – Friday 10-5.

The Stanton Art Gallery is open from 10-5 Monday – Friday.


COVID-19 PROTOCOLS UPDATE – February 4, 2022

Town Hall Arts Center continues to follow protocols and mandates as dictated by Tri-County Health and Arapahoe County. As of Friday February 4, 2022 these entities have lifted all requirements in regards to masking and social distancing. However, due to the intimate setting of our theater and for the comfort and safety of our patrons, staff, and performers, THAC welcomes all patrons attending live performances to wear a mask over their mouth and nose while inside the building.

THAC staff and volunteers will not be masked when interacting with patrons.

For more information on these new protocols, please visit the Tri-County Health Department website or CLICK HERE.

Review: Little Shop of Horrors

By Chris Arneson, Broadway World Denver

Little Shop of Horrors may not be the happiest musical, but there’s something about a plant wreaking havoc on a bunch of downtrodden folks that might offer a bit of momentary schadenfreude. And if you don’t get it from that, Town Hall’s production is likely to scratch your itch for a well-designed production bursting with talent.

For Littleton’s Town Hall Art Center, the oversized campiness of the show lends itself well to the intimate space. Directed by Bob Wells, with music direction by Donna K Debreceni and choreography by Kelly Kates, the production’s energy and and timing is matched by a spectacular lighting design by Brett Maughan and simplistic yet detail set design by Michael Duran. Another special shoutout to some amazing costumes designed by Terri Fong-Schmidt.

If you’re somehow unfamiliar with the classic story, it follows Seymour (Carter Edward Smith), a flower shop worker who acquires a new plant that demands to be fed. The shop is owned by owned by Mr Mushnik (Jim Hitzke). Seymour names it Audrey II (voiced by Preston Adams), after the coworker he’s in love with (Abby McInerney), but she’s in an abusive relationship with demented dentist, Orin (Charlie Schmidt). While the plant’s growth skyrockets the shop to fame, it also has other plans for world domination. The cast also features a wonderful trio of Urchins (Anna Maria High as Crystal, Faith Goins as Ronnette, and Rajdulari as Chiffon).

Smith’s Seymour is perfectly nerdy and likable, as you’d expect from him. His love Audrey is played with a lovely complexity by McInerney, who shines brightest in her strong notes. Hitzke feels right at home in his portrayal of Mushnik. Schmidt’s Orin has a fabulous cackle, which is only a sprinkle on his comedic wit. Adam’s voices Audrey II like James Brown has inhabited the beast, also giving it an incredible laugh. In classic fashion, both Adams and Schmidt tackle multiple extra roles, which really showcases Schmidt’s humorous range. Each of the Urchins get many opportunities to shine with satisfying beltiness, and the trio’s harmonies are smooth and balanced.

The show feels like a welcome escape into a familiar world, showcasing a variety of talents all in one place. They say don’t feed the plants, but in this case, the plant really feeds you — and it’s delicious.

Little Shop of Horrors plays Town Hall Arts Center through March 6.

DAF Event & Costume Contest – February 14, 2022

DAF Event - Little Shop of Horrors

Denver Actors Fund Benefit Performance & Costume Contest


100% of proceeds from ticket and concession sales will be donated to the Denver Actors Fund.

Monday, February 14 | 7:30 PM | Tickets: $25

For tickets to this event, CLICK HERE

Town Hall Arts Center is hosting a costume contest during our DAF Benefit Performance. Come dressed as your favorite “couple” from musical theatre and win a gift certification for (2) tickets to any future production (during the remainder 21/22 season or the 22/23 season) and (2) free drink coupons!

Come dressed as your favorite “couple” from musical theater. “Couples” do not have to be cis-hetero romantic couples – they can be BFFs, unrequited romances, or tragic star-crossed lovers. Use your imagination! Examples:
– Elphaba and Fiyero from Wicked
– Eliza and Alexander from Hamilton
– Mark and Roger from RENT
– Tracy and Link from Hairspray
– Rod and Nicky from Avenue Q

The lobby will open at 6:00pm. There will be a “red carpet” photo booth in the Stanton Art Gallery.

Register with the THAC staff member, and get your picture taken.

The performance of Little Shop of Horrors will start at 7:30pm. During Act 1, the top three couples’ costumes will be chosen by THAC Staff. Schmooze with other patrons during intermission and show-off your costumes. At the end of intermission, the top three “couples” will be brought on stage for the audience to vote on. The audience will pick a winner using applause.

For tickets to this event, CLICK HERE.

Accepting donations to Red Cross for the Boulder County fires

We are all one community. Let’s come together. Accepting donations made out to the Red Cross at our final 2 performances of “Plaid Tidings” on January 1-2, 2022.

It has been a particularly difficult end of 2021 for our community. We will continue to work closely with our government and nonprofit partners to support the needs of the community as they emerge. We want to thank everyone for your support and generosity in this difficult moment for Boulder County.

Boulder County Wildfire Fund page –

Sister Carmen Community Center is providing services for those affected by the East Boulder County fires –

The Boulder Jewish Community Center Boulder JCC is providing water, coffee and snacks, charging stations, play areas for children, showers, desks, wifi, and community.

YMCA of Northern Colorado has also opened as a Red Cross Shelter with water, supplies, toiletries, towels, food at the YMCA at 2800 Dagny Way in Lafayette –

If you need assistance with pets, horses, and livestock connect on Facebook with: Boulder County Fire Lost & Found Pets or Horse Evacuation Boulder Fort Collins Fire.

Colorado Pet Pantry will be distributing pet food and supplies to those affected by the fires –

If you need mental health support, please reach out to:
JFS Boulder County Crisis Fund –

Colorado Crisis Services –

Mental Health Partners – or 303-443-8500

You can also reach out to the American Red Cross for direct assistance –

To volunteer –

To host displaced people –

Review: Winter Wonderettes

By Beki Pineda, Boulder Magazine

WINTER WONDERETTES – Written by Roger Bean; Musical Arrangement by Roger Bean and Brian Baker; Directed by Robert Wells. Produced by Town Hall Arts Center (2450 West Main, Littleton) through December 26. Tickets available at 303-794-ARTS or

If the Wonderettes took up tartan, they would be the Plaids. If the Plaids wore pastel dresses, they would be the Wonderettes. But they don’t, so four very talented young women get to fill the pastel dresses and sing the holiday songs. The “plot”- what there is of it – is only an excuse to get the ladies out on the stage where they can explore the Christmas songbook.

The ladies are all employees of the local hardware store and are the entertainment for the office Christmas party. Halfway through they discover that their Christmas bonusses are all slightly pink. Excitement and anticipation of a year-end reward for hard work turns into disappointment and anger. The show almost comes to a screeching halt. But the girls decide to “go on with the show” like the real troopers they are.

Most of the music is delightful versions of songs that invite you to sing along. “Rocking Around the Christmas Tree,” “Santa Claus is Coming to Town,” and, of course, their signature song – “Winter Wonderland.” But there are a few little known holiday songs sprinkled throughout the libretto that surprise and delight. “We Want to See Santa Do the Mambo” and “Suzy Snowflake,” for instance. But the song that stopped the show for a quiet moment and brought tears to everyone’s eyes as we each remembered the childhood wonder of the holiday season was “All the Christmas Cliches” sung by Abby McInerney who totally nailed it. It tells the journey of a person who never made much of Christmas. But now that she is older, she wants the whole holiday scene. The tree – the cookies for Santa – the kids to tuck in tight – the reindeer on the front lawn – the whole Christmas schtick.

All those Christmas clichés
Give’em to me
Just in time for a holiday
Hit me with those out of the ballpark
Happy and Hallmark Christmas clichés.

The girls – Rebekah Ortiz, Cara Lippitt, Caitlin Hilzer and Abby – all got great solo numbers and quartets with authentic 60’s girl group dance steps, compliments of Kelly Kates, the choreographer. Their “in the style of” pastel dresses were designed by Costumer Linda Morken. The hardware store was designed by Douglas Clarke, built by Mike Haas and his crew, and dressed by Becky Toma. And, of course, the music was supported by Donna Debreceni and her long time cohorts, Scott Smith on bass and Larry Ziehl on percussion.

Yes, it’s a light weight script and uses a lot of familiar music. But when it’s done this well, you don’t seem to mind. You just sit back in your seat and let the Christmas spirit seep into your pores. Sometimes you just need that.

A WOW factor of 8.5!!

Review: Live stage shows go different directions

By Sonya Ellingboe, Centennial Citizen

Area theaters are opening again and I happily attended two performances on the weekend of Nov. 6-7 — very different, but both engaging: “American Son” by Christopher Demos-Brown at Curious Theatre in Denver and “Winter Wonderettes” by Roger Bean at Littleton Town Hall Arts Center.

“American Son,” by trial lawyer/playwright Demos-Brown, played on Broadway, with Kerry Washington as the mother. It’s set in the could-be-in-any-county waiting room at the Dade County, Florida, Courthouse, with chairs for those who need to wait for their time in court, an American flag, county insignia in a frame, a clock, harsh lighting — and space to pace. The stage set’s blandness sets off the tense story well.

“It is a play that gives us a glimpse into the fears and concerns that almost every parent of a Black male child in this country faces on a regular basis, especially in interactions with police,” wrote director Jada Suzanne Dixon, who also performs the role of Kendra Ellis-Connor, a Black mother, whose son is missing as lights go up on the Curious stage. (He’s a mild-mannered kid who once burst into tears over “Puff the Magic Dragon,” she says.)

“There’s been an incident,” says tense young white Officer Paul Larkin (Sean Scrutchins), in reply to her questioning. He stalls about more information, while she presses, growing increasingly frantic over her son’s whereabouts.

Her white husband, Scott (Josh Robinson), an FBI agent, arrives — sputtering and aggressive — “He’s going to West Point, went to private schools — I won’t put up with him regressing,” Scott says. “Obviously something happened.” (We learn that Scott has walked out on mother and son recently.)

“He was driving around with two other black males in the car,” the officer tells him — which he hadn’t told the mother.

What transpires is predictable, but the tension is with us until the end of this well-crafted piece.

Abner Genece, forceful as Lt. John Stokes, is the fourth character, who enters the one-act late.

“American Son” keeps the audience engaged and the cast is strong. Chip Walton, Curious founder, said he and Dixon had both seen the play in New York and compared notes, agreeing that it was a good fit for Curious.

Given the skills of the cast, crew and director involved, (all member of Actors Equity) — I’d hope to see some exploration of material that was not quite so predictably “a good fit” for Curious. They have created works that stretched talents further afield in the past.

“American Son” plays through Dec. 11 at Curious Theatre Company, 1080 Acoma St., Denver,

“Winter Wonderettes” finds this singing group of young women, whom we have met before at Town Hall, six years later in Springfield, performing at the Harper’s Hardware Holiday Party … Bob Wells directed the well-blended voices of Missy (Rebekah Ortiz) Cindy Lou (Abby McInerney), Suzy (Cara Lippitt) and Betty Jean (Caitlin Hilzer) into a program of seasonal music, mostly familiar, with live accompaniment (always a plus) by Donna Kolpan Debreceni on the keyboard; Scott Alan Smith on bass and Larry Ziehl on percussion.

The smooth and lively singers, clad in pastel velvet dresses with a bit of lace trim, were choreographed by Kelly Kates, which adds an extra professional polish to the show, in addition to Wells’ skilled direction of well-blended voices.

Many selections are warmly familiar, starting with “A Marshmallow World,” and including the traditional “O Tannenbaum” and “Santa Baby” but also include some we may not have heard, like “We Wanna See Santa Do the Mambo!”

I love the idea of children being included in holiday entertainment outings and the elementary-age kids seated in front of me seemed thoroughly engaged, as well as obviously pleased with wearing party dresses. This is a good choice for younger family members, though probably not the teeny folks, who might prefer Frosty or Santa …

The cheery set with tree and fireplace adds to the atmosphere.

“Winter Wonderettes” plays through Dec. 26 and alternates with “Plaid Tidings,” directed by Nick Sugar, which runs through Jan. 2. A great contrast appears in late January with “Little Shop of Horrors,” directed by Bob Wells. (Jan. 28 to March 6.), or 303-794-2787.


Celebrate the season at Town Hall Arts Center!
Starting at 12:01 AM November 25 through 11:59 PM on November 29, 2021


Limits –
* At least 1 ticket to BOTH Winter Wonderettes and Plaid Tidings must be purchased. There is no maximum limit.
* This offer is only good for new purchases and cannot be applied to previously purchased tickets for either production, or to previously purchased season tickets.
* Offer is applicable with other existing discounts (student/senior/military) but cannot be applied to the “Bring a Friend” ½ price coupon discount.
* MUST use the promotional code to apply the offer.
* Can be purchased online or through the Box Office.
* Discount is applicable to tickets to any performance date but MUST be purchased DURING the promotional time frame – 12:01 AM on November 25, 2021 – 11:59 PM on November 29, 2021. (Thanksgiving Day through Cyber Monday)


Tri-County Health Department Mask Mandate – November 2021

The Tri-County Health Department has issued a mask mandate. All persons age 2 and up are required to wear a mask indoors in Arapahoe County.

Town Hall Arts Center follows all local, state, and county health guidelines. Thank you for your cooperation.

For more information on the Mask Mandate, please visit the Tri-County Health Department website or CLICK HERE.

Holiday Main Stage Shows 2021

Celebrate the season with Town Hall Arts Center! Offering 2 different Holiday Main Stage Shows! Attend both shows for EXTRA holiday cheer! Tickets: $37-$54 PURCHASE HERE

Written & Created by Roger Bean
Vocal Arrangements by Roger Bean & Brian Baker
Musical Arrangements by Brian Baker

Winter Wonderettes premiered at Milwaukee Repertory Theater.
Joseph Hanreddy, Artistic Director and Timothy J. Shields, Managing Director.

Presented by special arrangement with Stage Rights (

Rebekah Ortiz – Missy
Abby McInerney – Cindy Lou
Cara Lippitt – Suzy
Caitlin Hilzer – Betty Jean
Rachael Lessard – Understudy
Angie Currington – Understudy

Donna Kolpan Debreceni – Piano
Scott Alan Smith – Bass
Larry Ziehl – Percussion

Robert Wells – Director
Terri Harrison – Production Stage Manager
Donna Kolpan Debreceni – Music Director
Kelly Kates – Choreographer
Douglas Clarke – Scenic Designer
Becky Toma – Props Designer
Linda Morken – Costume Designer
Brett Maughan – Lighting Designer
Curt Behm – Sound Designer
Mike Haas – Technical Director
Matthew Dugger – Sound Board Operator


Holiday Edition of FOREVER PLAID

Original FOREVER PLAID vocal and musical arrangements by JAMES RAITT


Musical Continuity and Supervision
By David Snyder


Tim Howard – Francis
Zach Stailey – Sparky
Matt LaFontaine – Jinx
Jacob Villarreal – Smudge
Caleb O’Brien – Understudy
Adam Kinney – Understudy

Heather Holt Hall – Piano
Eli Acosta – Bass

Nick Sugar – Director & Choreographer
Lauren Hergenreter – Production Stage Manager
Heather Holt Hall – Music Director
Douglas Clarke – Scenic Designer
Becky Toma – Props Designer
Linda Morken – Costume Designer
Brett Maughan – Lighting Designer
Curt Behm – Sound Designer
Mike Haas – Technical Director
Matthew Dugger – Sound Board Operator

Tickets: $37-$54 PURCHASE HERE


As an organization, Town Hall Arts Center continues to consider the safety of our patrons, volunteers, staff, and guests in our decision-making process. Our Executive staff and Board of Directors continue to monitor local health mandates and follow those guidelines closely, responding with changes as appropriate.

Currently, we strongly recommend masks for all patrons.

In addition:

  • We have completed and continue in-depth training with our volunteer base and staff on health and safety related topics.
  • We use a professional cleaning company to sanitize the theater and our Box Office staff cleans and disinfects the lobby, gallery, and bathrooms during intermission. We will continue to run our CDC recommended HEPA air filters in the theater before all performances.
  • We require daily temperature and symptom log ins for theater artists.  All cast, crew, designers, and staff are fully vaccinated.
  • If a patron is feeling sick, we ask that they stay home.
  • We will happily exchange tickets to a different date (at no cost) if a patron is experiencing cold symptoms, comes in contact with someone who has tested positive, or receives a positive COVID test themselves.

As with so many things over the last 18 months, these practices are subject to change with the ever-evolving COVID-19 pandemic. Thank you for your patience, flexibility, and continuous support of Town Hall Arts Center.

Review: ‘The Fantasticks’

By Beki Pineda, Boulder Magazine

THE FANTASTICKS – Music by Harvey Schmidt; Book and Lyrics by Tom Jones; Directed by Billie McBride. Produced by Town Hall Arts Center (2450 West Main Street, Littleton) through October 17. Tickets available at 303-794-2787 x5 or

Born in 1960 in the creative minds of Schmidt and Jones, THE FANTASTICKS is a classic show that everyone has done or seen at least once. It holds the record of the longest running musical on an American stage still after its 42 year run Off-Broadway in the Sullivan Street Playhouse. It even had a seven year run here in Denver in the now-gone Third Eye Theatre run by Joey and June Favre, one of the first shows I saw in Denver. People who go to the theatre regularly have seen multiple productions and have their favorite El Gallo, their favorite Old Actor and Mortimer, even their favorite Mute. Each production either teaches or reminds us of the joy of first love and the price of experience. This production adds to that library of musical wisdom.

Town Hall has assembled a kick ass cast for their version. You have to have a strong appealing personality for your El Gallo, the bandit narrator. They have found him in Randy Chalmers who seduces with a smile, swashes his buckles with style, abducts with abandon and dispenses hard won insights musically. “Without a hurt the heart is hollow.”

Katie Jackson lends her astounding vocal and acting chops to the crucial role of Luisa, the girl who falls in love twice in short order, once with Matt and once with the idea of adventure. Katie has a sweet appealing nature that conveys both the innocence and later disillusionment of Luisa. Her true love Matt is played by Carter Edward Smith with his usual flair and ease. What is there to say about Carter except that he can play anyone – old or young – with authenticity and grace.

Matt and Luisa are kept apart by a wall put up between the gardens of their parents who feign a feud to discourage their kids. Played by Boni McIntyre as Matt’s mother and Rick Long as Luisa’s father, they know the quickest way to get their children to do what they want is to tell them they can’t do it.  “Why do the kids put beans in their ears? They did it coz we said No.” They too learn that the best laid plans often go awry as their joint garden doesn’t quite pan out like they hoped.

An abduction scene is plotted by El Gallo and the parents which will allow Matt to rescue Luisa from the clutches of El Gallo (hired for the event), end the false feud and lead to a happy ending for all. When El Gallo needs extra players in the planned abduction, he calls on Henry, an Old Actor (played with magical aplomb by John Ashton) and Mortimer, his sidekick (a nearly unrecognizable Diane Wzionktka). Henry revels in proclaiming garbled Shakespeare and boasting of his past glories. Mortimer dies. That’s what he does best. Even though this production gave Mortimer’s death demonstration short shrift. John channels the ghosts of Shakespearean actors from Burbage to Olivier and yet adds his own casual appealing style to his character. Diane channels Dopey from the Seven Dwarfs for her Mortimer while still displaying humor and a desire to please. The Master Die-er in this Abduction scene was Randy as El Gallo who created a full three encore production out of his demise. The lone remaining player was Cal Meakins as The Mute who silently and unobtrusively provides the wall to separate the lovers, Luisa’s precious necklace from her mother, the leaves when it becomes fall, the snow when winter sets in, and the sparkly rain for ‘Soon It’s Gonna Rain.”

My only complaint with this production was the staging of the scenes of Matt’s adventures to find fame and fortune away from his family, but finds misery and loneliness instead. Placed at the top of the aisles in the seating area, in order to see the vignettes, everyone in the audience had to turn around in their seats. By the third ”misery,” most people had tired of it and just listened to the scene behind them instead of observing. I understand that Matt was “out in the world” by this time but staged this way made the scenes awkward for the audience to see Matt’s “agony.”

The production team at Town Hall always comes through with pizazz. The gazebo type setting designed by Michael Duran and constructed by Mike Haas and his crew added to the whimsy of the show. Lit by Brett Maughan with sound design by Curt Behm and costumes by Terry Fong-Schmidt, it all worked together for the audience’s enjoyment. The accompaniment on keyboard by Donna Debreceni and harp by Barbara Sims completed the ensemble. This may become your favorite FANTASTICKS in days to come. “Try to remember . . . .”

A WOW factor of 8.5!!